|
notes
|
PARK
ROW BUILDING, 15 Park Row (aka 13-21 Park Row, 3 Theatre Alley, and 13 Ann
Street), Manhattan. Built 1896-99; architect R. H. Robertson.
Landmarks Preservation
Commission. Designated June 15, 1999; LP-2024
Summary
The 30-story, 391-foot-high
Park Row Building was the tallest building in New York City and one of the
tallest structures in the world between 1899, the year of its completion,
and 1908. Located on Park Row across from City Hall Park, the Park Row
Building remains, by virtue of its height and twin cupola-topped towers,
one of the most distinctive buildings in lower Manhattan. It is one of
several surviving late nineteenth-century office towers on a street that
became known as Newspaper Row, the center of newspaper publishing in New
York City from the 1840s to the 1920s. The building housed the offices of
the Associated Press news agency which had been incorporated in New York
in 1900, as well as the headquarters of August Belmont's Interborough
Rapid Transit Company. The building's architect, R. H. Robertson, who was
prominent for his institutional and commercial buildings, designed the
Park Row Building using a number of classical elements, including four
large sculpted figures set on overscaled brackets, huge columns and
pilasters, as well as several projecting ornamental balconies. The two
towers that rise above the crowning cornice are capped by ornamented domes
which immediately distinguished this structure when it was added to the
skyline of New York City at the turn of the century. Early
twentieth-century artists admired the shape of the Park Row Building;
Alvin Langdon Coburn and Charles Sheeler featured it in their photographs.
The building remains in use as a commercial office building.
Park Row or Ivins Syndicate
Building
Height: 386 feet (118 meters) to cornice
Original owners: William Mills Ivins, head of investment syndicate
Architect: R.H. Robertson
Engineer: Nathaniel Roberts
Constructed from 1896-99
The Park Row Building still stands today
facing City Hall Park in lower Manhattan. Commissioned in 1896 by William
Mills Ivins, the head of an investment group, the structure was built as
speculative office space. It rises 386 feet to its cornice and 391 feet to
the lanterns placed atop the structure; counting the four stories in the
lanterns, the building is 30 stories tall. The interior could accommodate
up to 1,000 offices, and was the home of the first IRT subway
headquarters. Under the direction of architect R.H. Robertson and engineer
Nathaniel Roberts, the building was under construction for over three
years.
The facade of the Park Row Building was a
tall rectangle divided into six horizontal sections, with twin cupolas
crowned in copper adding to the height. The design was little loved by
contemporary critics who termed the towers "insignificant
terminations which add nothing," and noted that in their proximity,
the Park Row and St. Paul Buildings "stand and swear at each
other" across Ann Street.
Text by Melissa Matlins
Once the tallest building in the world, 15
Park Row still graces Manhattan’s skyline with its elegant form looking
out onto City Hall Park. Owned by J&R Music World the building’s
base 10 floors shall remain commercial offices for the electronics
retailer, the next 15 floors make up the residential conversion and the
top 3 floors are for private use.
With the demand for quality living space far exceeding the number of
rental properties available in the downtown market, the conversion of
many existing class B & class C office buildings to residential
buildings is an obvious choice for many developers. A diversified mix
of New Yorkers including young singles, growing families, bankers,
brokers, and empty nesters are all attracted to Lower manhattan.
The challenge inherent in this type of conversion is to take the
building’s floor plates that are designed for an office type layout and
retrofit into them efficient and marketable apartment layouts.
In front of Pace University, at the
intersection of Park Row, Spruce Street, and Nassau Street, stands a
statue of Benjamin Franklin. That and some fine old buildings are the only
vestiges of Newspaper Row, once the bustling home to New York's press.
Franklin's statue, erected when the intersection was called Printing House
Square, was a tribute to the Founding Father's career as editor,
publisher, and printer of The Pennsylvania Gazette and Poor
Richard's Almanac.
Crossing the hectic traffic corridor that
is Park Row today can be frightening despite the benign presence of City
Hall and other handsome buildings. As with South Street, old photographs
give the best sense of its former energy and color.
Pictures from different decades of the
nineteenth century show that Newspaper Row changed at a dizzying pace,
even by New York standards. The New York Times outgrew its
headquarters at 41 Park Row after only thirty-two years. Its second
building, erected in 1889, still stands. The gold-domed World
Building at Frankfort Street, and the Tribune Building at Spruce,
which dominate so many old views of the street, are long gone. But many
fine structures of the day still line Park Row and the little streets to
its south and east.
Immigration and commerce sparked the city's
nineteenth century growth, and its publications kept pace. Then, as now,
New York supported an enormous foreign-language press and was home to many
special-interest journals and trade publications. Most were published on
or near Park Row.
A photo from about 1875 shows the
Portuguese O Novo Mundo sharing space with the Times in its
old building. Next door were the Scottish American Journal, The World,
and The Coal and Iron Record, among others.
The largest foreign-language paper was the New
Yorker Staats-Zeitung, which served the city's huge late-nineteenth
century German-speaking population from a mansard-roofed building on the
southern portion of the present Municipal Building site. Its predecessor,
the Tryon Row Buildings, housed The Sentinel and Freeman's
Journal, an Irish nationalist paper that published from 1840 to 1918.
The history of journalism in New York is
proud but turbulent. In 1735, John Peter Zenger was acquitted of seditious
libel for criticizing the colonial government in his New-York Weekly
Journal, establishing an early and firm foothold for a free American
press.
Less beneficial to society were the
"yellow journalism" wars between Joseph Pulitzer's New York
World and William Randolph Hearst's New York Journal, which led
to inaccurate, exaggerated reporting and writing in their quest to sell
papers. Feeding off the expansionist spirit of the day, these journals and
others agitated shamelessly to incite the Spanish-American War.
Every paper tried to stake out its own
style and hold its niche in the New York market. By the late nineteenth
century, however, some were paying as much attention to national and world
news as local, and taking pains to report all of it seriously and
impartially. Already dominating the United States in commerce, New York
became America's news capital too. And the news capital of New York was
Park Row. |