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According
to the National Register Nomination statement, the U.S. Courthouse at
Foley Square (1932-1936) is architecturally and historically significant
as one of the largest and most distinctive examples of the Federal
architecture erected by the U.S. Treasury Department during the expanded
public buildings programs of the 1930s. One of the last commissions
executed by nationally prominent architect Cass Gilbert, the design of the
courthouse embodies the restrained Neoclassicism that had become the
preferred idiom for federal buildings during the 1920s. The building
reflects a shift in Gilbert's work at the end of his long career, as more
conservative designs replaced the more imaginative and richly decorated
compositions (such as the U.S. Customs House at Bowling Green and the
Woolworth Building) that had established his reputation several decades
earlier. Gilbert's design for the Foley Square Courthouse - particularly
the monumental six-story base articulated by a Corinthian colonnade on the
principal elevation (itself remarkably similar to McKim, Mead and White's
General Post Office of 1914) - maintains its link to the public
architecture of the earlier twentieth century and harmonizes in style and
scale with the buildings in the surrounding neighborhood. These include
the New York County Courthouse (1926) and the Municipal Building
(1912-14), both classical in inspiration, which flank the courthouse. At
the time, the 31-story "modern" office tower component of the
courthouse, believed to have been inspired by the form of the campanile in
St. Mark's Square in Venice, reflects Gilbert's interest in and
proficiency with, steel frame skyscraper construction, as well as his
concern with satisfying the practical needs of his clients within the
limits of the site. One of the last Neoclassical style office buildings
erected in New York as well as one of the earlier skyscrapers built by the
federal goverment, the U.S. Courthouse at Foley Square illustrates an
important turning point in American architectural history.
The Foley Square Courthouse was designed by Cass Gilbert, one of the most
prominent architects of his day. Gilbert (1859-1934) was born in
Zanesville, Ohio and began his architectural career as an apprentice in
the office of Abraham Radcliff of St. Paul. In 1878, he enrolled in the
Massachusetts Institute of Technology, where he spent a year studying
architecture. In 1880, he spent several months travelling and studying in
England, France and Italy before returning to New York and joining the
prestigious firm of McKim, Mead and White as Stanford White's personal
assistant.
During the 1890s, Gilbert established a national reputation, designing
residences, churches, commercial buildings, government buildings, railway
stations and bridges. Around 1900, Gilbert moved his office to New York.
His most important early commissions in that city include the Broadway
Chambers Building (1899), an early steel-frame skyscraper that exhibited a
traditional three-part classical composition, and the U.S. Customs House
at Bowling Green (completed 1907), a monumental, richly decorated
Beaux-Arts building (NHL) that epitomized the ideal federal style as
conceived by James Knox Taylor.
Gilbert reached the height of his popularity with the completion of the
Woolworth Building in 1913. This slender 742-foot-tall skyscraper, a
romantic interpretation of the Gothic Revival clad in light-weight, fire
resistant terra cotta, was the tallest building in the world for the next
quarter century.
Gilbert's early designs for the federal government, particularly Bowling
Green Customs House, are imbued with the Beaux-Arts spirit that he and
Taylor had embraced as ideal for federal architecture. His later work,
however, is characterized by a more restrained classicism, reflecting a
similar shift in federal design ideals during the 1920s under the
leadership of Louis A. Simon, who served in the Treasury Department as
Superintendent of Architects from 1915 to 1933. During this period,
Gilbert is credited with three federal buildings in Washington, D.C.: the
U.S. Treasury Annex (1918), the U.S. Chamber of Commerce (1925), and the
U.S. Supreme Court Building (1933-35); completed after his death), all in
a restrained Neoclassical idiom, as well as the U.S. Courthouse at Foley
Square.
Gilbert died in England on May 8, 1934, with the Supreme Court Building
and the Foley Square Courthouse under construction. Both projects were
brought to completion by his son, Cass Gilbert, Jr.
The use of a skyscraper form for a federal building was a significant
departure from the accepted norm for federal architecture, which favored
horizontal forms. Only in Boston had the skyscraper form appeared in
federal architecture earlier, with the tower that was added to the U.S.
Custom House in 1915. By the time the Foley Square Courthouse was designed
and constructed, hwoever, modern forms and decoration had already
significantly changed the appearance of much public and private
architecture and were beginning to influence federal architecture as well.
Construction was begun nearby on the Church Street F.O.B. (designed by
Cross and Cross and Pennington, Lewis and Mills) only about a year after
the Foley Square Courthouse, yet the Church Street building features
stylized forms and decoration that clearly reflect the influence of
modernism.
Foley Square was built over the infamous
Five Points neighbourhood.
History of the site as it relates to Irish
Americans
  
The Five Points circa 1879
The courthouse and Square were built over
the Five Points section
of New York infamous for its Irish Gangs. It is situated between the
residential communities of Chinatown, Little Italy and the Foley Square
civic precinct. "Before the Five Points, there was a little part of
Manhattan called the Collect that became home to many breweries, and
tanneries because the pond was a major source of fresh water. Eventually,
though, the pond grew too polluted for use, and was filled in 1803. The
recovered, waterlogged land, was used to build a massive prison called the
Tombs in 1838."1 The Five Points built in this area was
geometrically named in the 1830’s from intersection of five streets:
Mulberry, Anthony (now Worth Street), Cross (now Park), Orange (now
Baxter), and Little Water Street (no longer exists). The land was
unsuitable at the time for large buildings due to its marshy unstaible
geology. "In the 19th century, the area around Foley Square was known
as Five Points and was one of Manhattan's worst neighborhoods. The
residents of Five Points were among the city's poorest and the living
conditions were deplorable. Additionally, the area was home to some of the
most offensive industries in the city, including the livestock
slaughterhouses and bone crushing factories. Archeologists working in this
area have located remnants of kitchen utensils, butchery and tanning
tools. Bricks from an earlier seventeenth century Dutch community have
also been found. As the neighborhood was transformed at the turn of the
century the majority of buildings were demolished. As the new century
emerged the area assumed a new identity and character defined by the
dignified and architecturally important buildings for the courthouses and
federal buildings for which Foley Square is known today."2
The Five Points is a whole bit of important
Irish American History that every Irish American should be aware of. It
was a tenement for those new arrivals in this great country. It was a slum
like none we know of today. People there were so poor that for a cheap sum
they could have a drink from a barrell where all the dredge from the
bottom of glasses and bottles of any and all alcholic beverages were
emptied. This concoction was known as "Allsorts". Driven into it
were the Irish "lowlifes" that arrive fresh from their homeland.
Later it was also the home to Afro-Americans. It was the home to the
precursers of todays gangs. I is now imortalized in the movie "Gangs
of New York". Prior to watching the movie I had done much reading on
the Five Points.

The Five Points in 1902
On the above map you can see Paradise Park
in which much blood was shed and the historic Five Point Mission were
Ministers tried to bring God back in to the life of all denominations that
lived there.
Charles Dickens wrote of the Five Points:
"This is the place: these narrow ways diverging to the right and
left, and reeking every where with dirt and filth. Such lives as are led
here, bear the same fruit here as elsewhere. The coarse and bloated faces
at the doors have counterparts at home and all the wide world over.
Debauchery has made the very houses prematurely old. See how the rotten
beams are tumbling down, and how the patched and broken windows seem to
scowl dimly, like eyes that have been hurt in drunken frays. Many of these
pigs live here. Do they ever wonder why their masters walk upright in lieu
of going on all-fours? and why they talk instead of grunting?"3

A detailed map located here
During the Civil War there was much unrest
among the immigrants as they lost their sons in a war they could not
comprehend. They resented the Afro Americans and blamed them partially for
the war. A rich man could buy out of the draft for $300 and the immigrants
resented them as well which led up to the Draft Riots.
Archeologists unearthed thousand of
artifacts from the Five Points around Foley
Square. The Foley Courthouse was completed in 1994 and is a grand
building that bears our name. The site is also the location of an 18th
century African-American burial ground, which has been excavated and
is memorialized in the building. As an archeology fan, It seems a shame
that progress takes history from us but that is society. |