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| Top Ten
NYC Architecture |
top 25 new york buildings |
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| 1 |
Empire State Building |
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architect
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Shreve, Lamb &
Harmon, William F. Lamb as chief designer |
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location
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350
Fifth Ave., bet. W33 and W34 |
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date
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1930-1931 |
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style
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Art
Deco |
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construction
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Steel frame 102 floors, 1252
feet, 381 meters high. Effective use of setbacks to emphasize tower.
The building is clad in Indiana limestone and granite, with the mullions lined in shiny
aluminium. There are in all 6,500 windows, with spandrels sandblasted to blend their tone to that of the windows, visually creating the vertical striping on the facade. The windows and spandrels are also flush with the limestone facing, an aesthetic and economic decision. |
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type
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Office Building |
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Click here for an
Empire State Building gallery |
The Empire State Building is a 102-story Art Deco skyscraper in New York
City, New York at the intersection of Fifth Avenue and West 34th Street.
Its name is derived from the nickname for the state of New York. It
stood as the world's tallest building for more than forty years, from
its completion in 1931 until construction of the World Trade Center's
North Tower was completed in 1972. Following the destruction of the
World Trade Center in 2001, the Empire State Building became for the
second time, the tallest building in New York City.
The Empire State Building has been named by the American Society of
Civil Engineers as one of the Seven Wonders of the Modern World. The
building and its street floor interior are designated landmarks of the
New York City Landmarks Preservation Commission, and confirmed by the
New York City Board of Estimate.[5] It was designated as a National
Historic Landmark in 1986.[3][6][7] In 2007, it was ranked number one on
the List of America's Favorite Architecture according to the AIA. The
building is owned by Harold Helmsley's company and managed by its
management/leasing division Helmsley-Spear. |
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| 2 |
Chrysler Building
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architect
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William Van Alen |
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location
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405
Lexington Avenue at 42nd Street |
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date
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1928-1930 |
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style
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Art Deco
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construction
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77 floors, 319.5m (1048 feet) high, 29961
tons of steel, 3,826,000 bricks, near 5000 windows. Cost: $ 20,000,000
The building is clad in white brick and dark gray brickwork is used as horizontal decoration to enhance the window rows. The eccentric crescent-shaped steps of the spire (spire scaffolding) were made of stainless steel (or rather, similar nirosta chrome-nickel steel) as a stylized sunburst motif, and underneath it steel gargoyles, depicting American eagles (image), stare over the city. Sculptures
modeled after Chrysler automobile radiator caps (image) decorate the lower setbacks, along with ornaments of car wheels.
The three stories high, upwards tapering entrance lobby has a triangular form, with entrances from three sides, Lexington Avenue, 42nd and 43rd Streets. The lobby is lavishly decorated with Red Moroccan marble walls,
sienna-coloured floor and onyx, blue marble and steel in Art Deco compositions. The ceiling murals, painted by Edward Trumbull, praise the modern-day technical progress -- and of course the building itself and its builders at work. The lobby was refurbished in 1978 by JCS Design Assocs. and Joseph Pell Lombardi. |
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type
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Office Building |
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Click here
for Chrysler Building gallery |
The Chrysler Building is an Art Deco skyscraper in New York City,
located on the east side of Manhattan at the intersection of 42nd Street
and Lexington Avenue. Standing at 319 m (1,047 ft) high,[1] it was
briefly the world's tallest building before it was surpassed by the
Empire State Building in 1931. However, the Chrysler Building remains
the world's tallest brick building.[2][3] After the destruction of the
World Trade Center, it was again the second tallest building in New York
City until December 2007, when the spire was raised on the 365.8 m
(1,200 ft) Bank of America building, pushing the Chrysler Building into
third position. In addition, the New York Times Building, which opened
in 2007, is exactly tied with the Chrysler Building in height, making
the two buildings tied for 3rd position.[4] Despite the change in
tallness ranking in New York, the Chrysler Building is still a classic
example of Art Deco architecture and considered by many, at least among
contemporary architects, to be one of the finest buildings in New York
City. |
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| 3 |
STATUE OF LIBERTY |
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Liberty Enlightening the World (French: La liberté éclairant le monde),
known more commonly as the Statue of Liberty (Statue de la Liberté), is
a large statue that was presented to the United States by France in
1886. It stands at Liberty Island, New York in New York Harbor as a
welcome to all visitors, immigrants, and returning Americans. The copper
patina-clad statue, dedicated on October 28, 1886, commemorates the
centennial of the United States and is a gesture of friendship from
France to America. Frédéric Auguste Bartholdi sculpted the statue and
obtained a U.S. patent useful for raising construction funds through the
sale of miniatures. Alexandre Gustave Eiffel (designer of the Eiffel
Tower) engineered the internal structure. Eugène Viollet-le-Duc was
responsible for the choice of copper in the statue's construction and
adoption of the repoussé technique.
The statue is of a female figure walking upright, dressed in a robe and
a seven point spiked rays representing a nimbus (halo), holding a stone
tablet close to her body in her left hand and a flaming torch high in
her right hand. The tablet bears the words "JULY IV MDCCLXXVI" (July 4,
1776), commemorating the date of the United States Declaration of
Independence.
The statue is made of a sheeting of pure copper, hung on a framework of
steel (originally puddled iron) with the exception of the flame of the
torch, which is coated in gold leaf. It stands atop a rectangular
stonework pedestal with a foundation in the shape of an irregular
eleven-pointed star. The statue is 151 feet 1 inch (46.5 m) tall, with
the pedestal and foundation adding another 154 feet (46.9 m).
Worldwide, the Statue of Liberty is one of the most recognizable icons
of the United States,[2] and, more generally, represents liberty and
escape from oppression. The Statue of Liberty was, from 1886 until the
jet age, often one of the first glimpses of the United States for
millions of immigrants after ocean voyages from Europe. Visually, the
Statue of Liberty appears to draw inspiration from il Sancarlone or the
Colossus of Rhodes.
The statue is a central part of Statue of Liberty National Monument,
administered by the National Park Service. |
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| 4 |
St. Patrick’s Cathedral
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architect
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James
Renwick Jr. and William Rodrigue |
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location
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Fifth
Avenue, bet. E50 and E51. |
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date
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1851-79, towers 1888 |
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style
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Gothic Revival
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construction
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stone |
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type
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Church |
St. Patrick's Cathedral is the largest decorated Neo-Gothic-style
Catholic cathedral in North America. It is the seat of the archbishop of
the Roman Catholic Archdiocese of New York, and a parish church, located
on Fifth Avenue between 50th and 51st streets in Manhattan. It faces
Rockefeller Center.
The Cathedral
of New York's Catholic Archdiocese and seat of its Cardinal, in its early
years this elaborate building served, among others, the working class,
immigrant Catholic staff who were employed by the city's Episcopalian
elite. The Cathedral's Gothic Revival design is based on French models.
Somewhat generic in its form, it lacks the quaint flavor of Grace and
Trinity Churches and the mysterious grandeur of St. John the Divine. A
Lady Chapel, added to the Madison Avenue side of the Cathedral in 1906, is
more impressive than the rest of the edifice. When construction began, the
Cathedral was located on the outskirts of town in an area of slaughter
houses and cattle yards. As construction progressed, the city advanced
northwards to the area around St. Patrick's. Nevertheless, the site
remained somewhat 'tainted' in the minds of 19th century New Yorkers. |
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| 5 |
Grand Central Terminal |
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Grand Central Terminal (GCT, often inaccurately called Grand Central
Station) is a Terminal station at 42nd Street and Park Avenue in Midtown
Manhattan in New York City. Built by and named for the New York Central
Railroad in the heyday of American long-distance passenger trains, it is
the largest train station in the world by number of platforms:[3] 44,
with 67 tracks along them. They are on two levels, both below ground,
with 41 tracks on the upper level and 26 on the lower.
It serves commuters traveling on the Metro-North Railroad to
Westchester, Putnam, and Dutchess counties in New York State, and
Fairfield and New Haven counties in Connecticut.
Although it has been properly called "Grand Central Terminal" since
1913, many people continue to refer to it as "Grand Central Station".
Technically, that is the name of the nearby post office, as well as the
name of a previous rail station on the site. |
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| 6 |
St.Regis-Sheraton Hotel |
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"The public rooms in the St. Regis were relatively small, a subtle indication that the management did not want the crowds that milled in Peacock Alley at the Waldorf-Astoria or in the vast lobby of the Astor in Times Square. On the Fifth Avenue side was an outdoor terrace were one could have refreshments, lost when Fifth Avenue was widened...During the nightclub years of the 1930's the St. Regis had many clubs, attracting for the most part a rather conservative and very well-heeled crowd. Joseph Urban[n], the flamboyant architect, designed the Seaglades nightclub, where Vincent Lopez's orchesta played. During the summer they played for dancing in the Japanese-style roof garden of the hotel," Patterson wrote, adding that the hotel was named after St. Regis Lake in the Adirondacks, a popular resort at the time.
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| 7 |
Metropolitan
Museum of Art |
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architect
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1880- original portion (now
mostly covered by additions) Calvert Vaux
and Jacob Wrey Mould,
1902-Richard
Morris Hunt designed the central pavilion and the neoclassical facade
1911-McKim, Mead
and White designed the north and south wings
since 1975 - Six additional wings, designed by the architectural firm of Roche
Dinkeloo
major wings by Calvert Vaux and Jacob Wrey
Mould, 1870-80; Thomas Weston with Arthur L. Tuckerman, associate,
1883-88; Arthur L. Tuckerman, 1890-94; Richard Morris Hunt, 1894-95;
Richard Howland Hunt and George B. Post, 1895-1902; McKim, Mead &
White, 1904-26; Kevin Roche John Dinkeloo Associates, 1967-90
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location
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5th Avenue at 82nd St. |
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date
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1880 |
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style
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Neoclassical |
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construction
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stone |
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type
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Museum |
The Metropolitan Museum of Art, often referred to simply as "the Met",
is one of the world's largest and most important art museums. The main
building is located on the eastern edge of Central Park in New York
City, New York, United States, along what is known as Museum Mile. It
was designated a National Historic Landmark in 1986. The Met has a much
smaller second location at "The Cloisters," featuring medieval art.
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| 8 |
Brooklyn
Bridge |
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architect
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John Augustus
Roebling, completed by son,
Washington Augustus Roebling |
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location
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East River. Park Row,
Manhattan to Adams Street, Brooklyn. |
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date
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1869 to 1883 |
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style
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Gothic
piers, Structural
Expressionist
cables and bridge deck |
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construction
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steel cable, stone masonry piers |
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type
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suspension Bridge |
The Brooklyn Bridge, one of the oldest suspension bridges in the United
States, stretches 5,989 feet (1825 m)[1] over the East River connecting
the New York City boroughs of Manhattan and Brooklyn. On completion, it
was the largest suspension bridge in the world and the first steel-wire
suspension bridge. Originally referred to as the New York and Brooklyn
Bridge, it was dubbed the Brooklyn Bridge in an 1867 letter to the
editor of the Brooklyn Daily Eagle,[2] and formally so named by the city
government in 1915. Since its opening, it has become an iconic part of
the New York skyline. In 1964 it was designated a National Historic
Landmark. |
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| 9 |
St. John the Divine |
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architect
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Heins & La Farge
[1892-1911]; Cram and Ferguson, Carrere
& Hastings, Thomas Nash and Henry Vaughn
[1911-1942]; James Bambridge [1979-present] |
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location
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Amsterdam Avenue and
112th Street. |
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date
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1892 |
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style
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Gothic |
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construction
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stone |
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type
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Church |
The Cathedral of St. John the Divine, officially the Cathedral Church of
Saint John the Divine in the City and Diocese of New York, is the
Cathedral of the Episcopal Diocese of New York.
Located at 1047 Amsterdam Avenue New York, NY 10025 (between West 110th
Street, which is also known as "Cathedral Parkway", and 113 Street) in
Manhattan's Morningside Heights, the cathedral is claimed to be the
largest cathedral and Anglican church and third largest Christian church
in the world (although the title is disputed with Liverpool Anglican
Cathedral).
The cathedral, designed in 1888 and begun in 1892, has, in its history,
undergone radical stylistic changes and the interruption of the two
World Wars. It remains unfinished, with construction and restoration a
continuing process. |
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| 10 |
TRINITY
CHURCH |
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Trinity Church, at 74 Trinity Place in New York City, is a historic full
service parish church in the Episcopal Diocese of New York. Trinity
Church is located at the intersection of Broadway and Wall Street in
downtown Manhattan.
St. Paul's Chapel, part of the Parish of Trinity Church, is the oldest
public building in continuous use in New York City.
Trinity Episcopal Church in Fishkill, New York was started in 1756 with
the missionary assistance of Trinity Church.
Photo of Trinity Church and the schoolhouse of Trinity School (c. 17??).
At the time of its completion, in 1846, its 281-foot spire and cross was
the highest point in New York until being surpassed in 1890 by the New
York World Building.
On July 9, 1976, the church was visited by Queen Elizabeth II of the
United Kingdom, and she was presented with a symbolic "back rent" of 279
peppercorns.
Since 1993, Trinity church has been the location which the High School
of Economics and Finance holds their senior graduation ceremonies. The
school is located on Trinity Place (a few blocks away from the church).
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| 11 |
Woolworth Building |
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architect
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Cass Gilbert |
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location
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233 Broadway |
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date
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1911-1913 |
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style
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Neo-Gothic,
Art
Deco |
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construction
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Height: 792 feet, 241
meters
Rising from a 27-storey base, with limestone and granite lower floors, the tower is clad in white terra-cotta and capped with an elaborate set-back Gothic top, with the spire rising to the height of 241.5 m. It was to be the tallest building in the world for 17 years, until the completion of the 40 Wall Street.
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type
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Office Building |
The Woolworth Building, at fifty-seven stories, is one of the oldest —
and one of the most famous — skyscrapers in New York City. More than
ninety years after its construction, it is still one of the fifty
tallest buildings in the United States as well as one of the twenty
tallest buildings in New York City. The building is a National Historic
Landmark, having been listed in 1966. |
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| 12 |
Waldorf-Astoria Hotel
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architect
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Schultze & Weaver |
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location
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301
Park Ave., between E49 and E50. |
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date
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1929-1931 |
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style
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Art
Deco |
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construction
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Base is of granite facing, and the upper facade is clad in brick and limestone. |
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type
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Hotel |
Waldorf=Astoria Hotel and Park Avenue with Helmsley Building and Met
Life Building in backgroundThe Waldorf-Astoria Hotel is a famously
luxurious hotel in New York. It has been housed in two historic landmark
buildings of New York City. The first, designed by architect Henry J.
Hardenbergh, was on the Fifth Avenue site of the Empire State Building.
The present building at 301 Park Avenue in Manhattan is a 47-story, 625
ft. (191 m) Art Deco landmark designed by architects Schultze and Weaver
that dates from 1931 and is now part of the The Waldorf=Astoria
Collection, a chain of very upscale hotels consisting of hotels
previously of the Hilton Hotels and Conrad Hotels chains, as well as
some new hotels.
The name, Waldorf=Astoria, now officially appears with a double hyphen,
but originally the single hyphen was employed, as recalled by a popular
expression and song, "Meet Me at the Hyphen."
The modern hotel has three American and classic European restaurants,
and a beauty parlor located off the main lobby. Several luxurious
boutiques surround the distinctive lobby, which has won awards for its
restoration to the original period character. An even more luxurious,
virtual "hotel within a hotel" in its upper section is known as The
Waldorf Towers operated by Conrad Hotels & Resorts. |
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| 13 |
New York Public Library |
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The New York Public Library (NYPL) is one of the leading public
libraries of the world and is one of America's most significant research
libraries. It is unusual in that it is composed of a very large
circulating public library system combined with a very large non-lending
research library system. It is simultaneously one of the largest public
library systems in the United States and one of the largest research
library systems in the world. It is a privately managed, nonprofit
corporation with a public mission, operating with both private and
public financing. Its flagship building, on Fifth Ave. running from 40th
to 42nd Street in Manhattan, is a National Historic Landmark.
The historian David McCullough has described the New York Public Library
as one of the five most important libraries in America, the others being
the Library of Congress, the Boston Public Library, and the university
libraries of Harvard and Yale.
Although it is called the "New York Public Library" the system does not
cover all five boroughs of America's largest city, only Manhattan, The
Bronx and Staten Island. New York City does not have a single public
library system but three of them. The other two are the Brooklyn Public
Library and the Queens Borough Public Library, serving the boroughs of
Brooklyn and Queens, respectively. This came about because these three
library systems predate the consolidation of New York City in 1898.
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| 14 |
Hearst Magazine Building
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Hearst Tower in New York City, New York is located at 300 West 57th
Street on Eighth Avenue, near Columbus Circle. It is the world
headquarters of the Hearst Corporation, bringing together for the first
time their numerous publications and communications companies under one
roof, including Cosmopolitan, Good Housekeeping and the San Francisco
Chronicle, to name a few.
The former six-story headquarters building was commissioned by the
founder, William Randolph Hearst and awarded to the architect Joseph
Urban. The building was completed in 1928 at a cost of $2 million and
contained 40,000 sq. ft. The original cast stone facade has been
preserved in the new design as a designated Landmark site. Originally
built as the base for a proposed skyscraper, the construction of the
tower was postponed due to the Great Depression. The new tower addition
was completed nearly eighty years later, and 2000 Hearst employees moved
in on 4 May 2006.[1]
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| 15 |
Flatiron Building
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The Fuller Building, better known as the Flatiron Building, was one of
the tallest buildings in New York City upon its completion in 1902. The
building, at 175 Fifth Avenue in the borough of Manhattan, sits on a
triangular island block at 23rd Street, Fifth Avenue, and Broadway,
facing Madison Square.
The Flatiron Building was designed by Chicago's Daniel Burnham in the
Beaux-Arts style. Like a classical Greek column, its limestone and
glazed terra-cotta façade is separated into three parts horizontally.
Since it was one of the first buildings to use a steel skeleton, the
building could be constructed to 285 feet (87 m), which would have been
very difficult with other construction methods of that time.
The initial design by Daniel Burnham shows a similar design to the one
constructed, but with a far more elaborate crown with numerous setbacks
near the pinnacle. A clock face can also be seen. However, this was
later removed from the design. |
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| 16 |
Solomon
R. Guggenheim Museum |
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The Solomon R. Guggenheim Museum, founded in 1937, is a modern art
museum located on the Upper East Side in New York City. It is the
best-known of several museums owned and/or operated by the Solomon R.
Guggenheim Foundation, and is often called simply The Guggenheim. It is
one of the best-known museums in New York City.
Originally called "The Museum of Non-Objective Painting," the Guggenheim
was founded to showcase avant-garde art by early modernists such as
Wassily Kandinsky and Piet Mondrian. It moved to its present location,
at the corners of 89th Street and Fifth Avenue (overlooking Central
Park), in 1959, when Frank Lloyd Wright's design for the site was
completed.
The distinctive building, Wright's last major work, instantly polarized
architecture critics, though today it is widely revered. From the
street, the building looks approximately like a white ribbon curled into
a cylindrical stack, slightly wider at the top than the bottom. Its
appearance is in sharp contrast to the more typically boxy Manhattan
buildings that surround it, a fact relished by Wright who claimed that
his museum would make the nearby Metropolitan Museum of Art "look like a
Protestant barn."
Internally, the viewing gallery forms a gentle spiral from the ground
level up to the top of the building. Paintings are displayed along the
walls of the spiral and also in viewing rooms found at stages along the
way. |
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| 17 |
The Plaza Hotel
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The Plaza was originally built in 1900 and then was rebuilt in 1907 to
the tune of twelve million dollars when the new Ritz Carlton joined the
other hotels at the turn of the century. The hotel brought elegance east
of Fifth street. "The opening of the Plaza Hotel was accompanied by the
sure sign of the automobile on Fifth avenue in New York."
"The Plaza has been able to maintain its standings over the years. The
Plaza's various public rooms have undergone numerous incarnations. The
large room on the corner of Forty-ninth Street and the Plaza, which was
called simply the "restaurant," assumed various decors as the Edwardian
Room and the Green Tulop, and the Fifty-ninth Street dining room that
served as the office of Jules Bache has become, and Remains, the Oak
Room."
"Finally, the Plaza houses New York's one functioning Palm Court, and it
has a busy day. Breakfasts and salad lunches are served, and no sooner
are the last leaves of lettuce carried away than a violinist and pianist
turn up and a flame is put under the tea kittles and cocoa in the
kitchens. This does not mean, however, that the Plaza has not plugged
ahead into the future. Not only does it provide its guests with closed
circuit television and choice of two movies daily, but troubleshooting
hostesses called "service coordinators," together speaking all of
fifteen languages, patrol the lobby and halls where once private maids
and lackies scurried obediently."
The Plaza Hotel, one of New York city's finest hotels, was
architecturally designed imitating the style of a late medieval French
chateaux. The elegant lobby contains ornamented archways, pillars, and
marble floors. This combined with a usage of the color gold give the
hotel a wealthy, upper-class appearance. |
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| 18 |
Lincoln
Center |
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Lincoln Center for the Performing Arts is a 16.3-acre (61,000 m²)
complex of buildings in New York City which serves as home for 12 arts
organizations: Chamber Music Society of Lincoln Center, Film Society of
Lincoln Center, Jazz at Lincoln Center, Juilliard School, Lincoln Center
Theater, Metropolitan Opera, New York City Ballet, New York City Opera,
New York Philharmonic, New York Public Library for the Performing Arts,
School of American Ballet, and Lincoln Center for the Performing Arts,
Inc..
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| 19 |
Dakota
Apartments |
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architect
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Henry
J Hardenbergh |
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location
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1 West 72nd Street |
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date
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1881-84 |
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style
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German Gothic, French Renaissance
and English Victorian |
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construction
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Its load-bearing brick and sandstone
walls are reinforced with steel and animated with balconies, corner
pavilions and decorative terra-cotta panels and moldings. The structure is
capped by a steeply pitched slate and copper roof decorated with ornate
railings, stepped dormers, finials and pediments. |
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type
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Apartment
Building |
The Dakota, constructed from October 25, 1880 to October 27, 1884, is an
apartment building located on the northwest corner of 72nd Street and
Central Park West in New York City.
The architectural firm of Henry Janeway Hardenbergh was commissioned to
do the design for Edward Clark, head of the Singer Sewing Machine
Company whose firm also designed the Plaza Hotel.
The building's high gables and deep roofs with a profusion of dormers,
terracotta spandrels and panels, niches, balconies and balustrades give
it a North German Renaissance character, an echo of a Hanseatic townhall.
Nevertheless, its layout and floor plan betray a strong influence of
French architectural trends in housing design that had become known in
New York in the 1870s.
According to popular legend, the Dakota was so named because at the time
it was built, the Upper West Side of Manhattan was sparsely inhabited
and considered as remote as the Dakota Territory. However, the earliest
recorded appearance of this account is in a 1933 newspaper story. It is
more likely that the building was named "The Dakota" because of Clark's
fondness for the names of the new western states and territories. High
above the 72nd Street entrance, the figure of a Dakota Indian keeps
watch. The Dakota was added to the National Register of Historic Places
in 1972, and was declared a National Historic Landmark in 1976. |
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| 20 |
Radio City Music Hall |
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Radio City Music Hall is an entertainment venue located in New York
City's Rockefeller Center. Its nickname is the Showplace of the Nation,
and it was for a time the leading tourist destination in the city. Its
interior was declared a city landmark in 1978.
The 12 acre (49,000 m²) complex in midtown Manhattan
known as Rockefeller Center was developed between 1929 and 1940 by John
D. Rockefeller, Jr., on land leased from Columbia University.
Rockefeller initially planned a new home for the Metropolitan Opera on
the site, but after the Stock Market Crash of 1929, the plans changed
and the opera company withdrew from the project.
The names "Radio City" and "Radio City Music Hall" derive from
one of the complex's first tenants, the Radio Corporation of America.
Radio City Music Hall was a project of Rockefeller, Samuel Roxy Rothafel
who previously opened the Roxy Theater in 1927, and RCA chairman David
Sarnoff. RCA had developed numerous studios for NBC at 30 Rockefeller
Plaza, just to the south of the Music Hall, and the radio-TV complex
that lent the Music Hall its name is still known as the NBC Radio City
Studios.
The Music Hall opened to the public on December 27, 1932 with a
spectacular stage show, featuring Ray Bolger and Martha Graham. The
opening was meant to be a return to high class variety entertainment.
Unfortunately, it was not a success and on January 11, 1933, the first
film was shown on the giant screen: Frank Capra's The Bitter Tea of
General Yen starring Barbara Stanwyck. |
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| 21 |
Time
Warner Center |
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TThe Time Warner Center is a mixed-use skyscraper developed by The
Related Companies in New York City. Its design, by David Childs and
Mustafa Kemal Abadan of Skidmore, Owings & Merrill, consists of two 229
m (750 ft) towers bridged by a multi-story atrium containing upscale
retail shops. Construction began in November 2000, following the
demolition of the New York Coliseum, and a topping-out ceremony was held
on February 27, 2003. It is the property with the highest-listed market
value in New York City, $1.1 billion in 2006.
Originally constructed as the "AOL Time Warner Center," the building
surrounds half of Columbus Circle in Midtown Manhattan. The total floor
area of 260,000 m² (2.8 million ft²) is divided between offices (notably
the offices of Time Warner Inc.), residential condominiums, and the
Mandarin Oriental hotel. The Shops at Columbus Circle is an upscale
shopping mall located in a curving arcade at the base of the building,
with a large Whole Foods Market grocery store in the basement. The
complex is also home to a 1,200 seat theater for Jazz at Lincoln Center
as well as CNN studios, from where Anderson Cooper 360° and Lou Dobbs
Tonight, among other shows, are broadcast live. CNN's Jeanne Moos, known
for her offbeat "man on the street" reporting, frequently accosts her
interview subjects just outside the building. In 2005, Jazz at Lincoln
Center announced a partnership with XM Satellite Radio which gave XM
studio space at Frederick P. Rose Hall to broadcast both daily jazz
programming and special events such as an Aartist Confidential show
featuring Carlos Santana. |
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| 22 |
United Nations Headquarters
|
|
 |
|
architect
|
United Nations Board of Design, headed by Wallace K. Harrison,
overall composition by
Le
Corbusier |
|
location
|
United
Nations Plaza (First Avenue bet. 42nd and 48th
Streets) |
|
date
|
1947-53 |
|
style
|
International Style II
|
|
construction
|
New York's earliest glass curtain wall,
38 stories or 544 feet tall |
|
type
|
Office Building |
The United Nations Headquarters is a distinctive complex in New York
City that has served as the headquarters of the United Nations since its
completion in 1950. It is located in the Turtle Bay neighborhood, on the
east side of Midtown Manhattan, on spacious grounds overlooking the East
River. Though it is in New York City, the land occupied by the United
Nations Headquarters is considered international territory, and its
borders are First Avenue west, East 42nd Street south, East 48th Street
north and the East River east. FDR Drive passes underneath the
Conference Building of the complex.
The United Nations Headquarters were constructed in New York City in
1949 and 1950 beside the East River, on seventeen acres of land
purchased from the foremost New York real estate developer of the time,
William Zeckendorf. This purchase was arranged by Nelson Rockefeller,
after an initial offer of placing it on the Rockefeller family estate of
Kykuit was rejected as being too isolated from Manhattan. The $8.5
million purchase was then funded by his father, John D. Rockefeller,
Jr., who donated it to the City. The lead architect for the building was
the real estate firm of Wallace Harrison, the personal architectural
adviser for the family. |
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| |
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| 23 |
TWA Terminal JFK Airport |
|
 |
|
architect
|
Eero
Saarinen |
|
location
|
John F. Kennedy International Airport (formerly
Idlewild) |
|
date
|
1962 |
|
style
|
Futurist
|
|
construction
|
reinforced concrete |
|
type
|
Utility |
TWA Flight Center was the original name for the Eero Saarinen designed
Terminal 5 at Idlewild Airport — later called John F. Kennedy
International Airport — for Trans World Airlines. The terminal had a
futuristic air; The interior had wide glass windows that opened onto
parked TWA jets; departing passengers would walk to planes through
round, red-carpeted tubes. It was a far different structure and form
than Saarinen's design for the current main terminal of Washington
Dulles International Airport, which utilized mobile lounges to take
passengers to airplanes. |
|
| |
|
|
| 24 |
Citicorp
Center
|
|
 |
The northwest corner of the site was originally occupied by St. Peter's
Evangelical Lutheran Church which was founded in 1862. In 1905 the
church moved to the location of 54th Street and Lexington Avenue.
From the beginning, the Citigroup Center was an engineering challenge.
When planning for the skyscraper began in the early 1970s, the northwest
corner of the proposed building site was occupied by St. Peter's
Lutheran Church. The church allowed Citicorp to demolish the old church
and build the skyscraper under one condition: a new church would have to
be built on the same corner, with no connection to the Citicorp building
and no columns passing through it, because the church wanted to remain
on the site of the new development, near one of the intersections.
Architects wondered at the time if this demand was too much, and if the
proposal could even work.
Structural engineer William LeMessurier set the 59-story tower on four
massive 114 foot (35 m) high columns, positioned at the center of each
side, rather than at the corners. This design allowed the northwest
corner of the building to cantilever 72 feet (22 m) over the new church.
To accomplish these goals LeMessurier designed a system of stacked load
bearing braces, in the form of inverted chevrons. Each chevron would
redirect the massive loads to their center, then downward into the
ground through the uniquely-positioned columns. |
|
| |
|
|
| 25 |
Museum of Modern Art
|
|
 |
|
architect
|
Goodwin and Edward
Durell Stone ,
additions and alterations: Philip Johnson
Associates (architect) and James
Fanning (landscape architect) [1954, 1964], further additions and
alterations: Cesar Pelli & Associates
(design architects) and Edward
Durell Stone Associates (associate architects) [1985] |
|
location
|
11
West 53rd Street, bet. Fifth and Sixth Aves. |
|
date
|
1939 |
|
style
|
International Style II
|
|
construction
|
steel, glass |
|
type
|
Museum |
The Museum of Modern Art (MoMA) is a preeminent art museum located in
Midtown Manhattan in New York City, USA, on 53rd Street, between Fifth
and Sixth Avenues. It has been singularly important in developing and
collecting modernist art, and is often identified as the most
influential museum of modern art in the world.[1] The museum's
collection offers an unparalleled overview of modern and contemporary
art, [2] including works of architecture and design, drawings, painting,
sculpture, photography, prints, illustrated books, film, and electronic
media.
MoMA's library and archives hold over 300,000 books, artist books, and
periodicals, as well as individual files on more than 70,000 artists.
The archives contain primary source material related to the history of
modern and contemporary art. |
|
| |
|
|
|