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| Top Ten
NYC Architecture |
top ten New York Art Galleries and Libraries. |
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For a more complete list, see
Museum,Gallery,Library
etc. |
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| 1 |
New York Public Library |
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The New York Public Library (NYPL) is one of the leading public
libraries of the world and is one of America's most significant research
libraries. It is unusual in that it is composed of a very large
circulating public library system combined with a very large non-lending
research library system. It is simultaneously one of the largest public
library systems in the United States and one of the largest research
library systems in the world. It is a privately managed, nonprofit
corporation with a public mission, operating with both private and
public financing. Its flagship building, on Fifth Ave. running from 40th
to 42nd Street in Manhattan, is a National Historic Landmark.
The historian David McCullough has described the New York Public Library
as one of the five most important libraries in America, the others being
the Library of Congress, the Boston Public Library, and the university
libraries of Harvard and Yale.
Although it is called the "New York Public Library" the system does not
cover all five boroughs of America's largest city, only Manhattan, The
Bronx and Staten Island. New York City does not have a single public
library system but three of them. The other two are the Brooklyn Public
Library and the Queens Borough Public Library, serving the boroughs of
Brooklyn and Queens, respectively. This came about because these three
library systems predate the consolidation of New York City in 1898.
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| 2 |
Pierpont Morgan Library |
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architect
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location
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33
E36, bet. Park and Madison Aves. |
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date
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c. 1910 |
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style
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Beaux-Arts
Renaissance Revival |
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construction
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limestone cladding |
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type
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Library |
The Pierpont Morgan Library, an exquisite cultural treasure chest in Murray Hill, would reorient, expand and draw together its campus of historic buildings with three unmistakably modern steel-and-glass pavilions designed by Renzo Piano. The project is so ambitious it would require the Morgan to close for two years. |
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| 3 |
Ottendorfer
Branch, NY Public Library |
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he Stuyvesant Polyclinic Hospital and the Ottendorfer Branch Library represent the philanthropy of Anna Ottendorfer,
a 19th-century German immigrant and German language newspaper publisher
dedicated to providing charitable support to New York's German immigrants.
The design of these two adjoining buildings reflects a neo-Italian
Renaissance style, while the ornate decorative elements symbolize
Ottendorfer's efforts to promote a sense of ethnic pride. The goal of the
library and clinic was, in the words of Mrs. Ottendorfer, dedicated to
"uplifting both the body and mind of fellow Germans in the United
States. |
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| 4 |
Frick
Collection |
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formerly Henry Clay and Adelaide Childs Frick
House, now the Frick Collection and Frick
Art Reference Library |
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architect
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Carrere
& Hastings, 1913-14; entrance pavilion and library, John Russell
Pope, 1931-35; garden addition, Harry Van Dyke, John Barrington Bayley,
and G. Frederick Poehler, 1977; garden, Russell Page. |
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location
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One
East 70th Street,
At Fifth Ave.
and 10 East 71st Street |
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date
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1913 |
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style
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Neoclassical |
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construction
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stone |
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type
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House
Gallery |
The Frick Collection is an elegant museum housed in a former mansion at 1 East 70th Street, in New York City. The collection consists of exceptional works from the Renaissance through the late nineteenth century. Included are some of the world's most celebrated Western artists, such as Constable, Goya, Manet, Monet,
Rembrandt, Renoir, and Whistler. The Frick Collection is also the home to delicate French porcelains, Italian bronzes, sculptures, and period furniture. Tours are enhanced by Acoustiguide, which is available in six languages. Friday evenings the Frick will stay open until 9pm with a cash wine bar in the Garden Court. Children under 10 are not permitted and an adult must accompany children under 16. |
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| 5 |
Museum of Modern Art
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architect
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Goodwin and Edward
Durell Stone ,
additions and alterations: Philip Johnson
Associates (architect) and James
Fanning (landscape architect) [1954, 1964], further additions and
alterations: Cesar Pelli & Associates
(design architects) and Edward
Durell Stone Associates (associate architects) [1985] |
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location
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11
West 53rd Street, bet. Fifth and Sixth Aves. |
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date
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1939 |
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style
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International Style II
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construction
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steel, glass |
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type
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Museum |
The Museum of Modern Art (MoMA) is a preeminent art museum located in
Midtown Manhattan in New York City, USA, on 53rd Street, between Fifth
and Sixth Avenues. It has been singularly important in developing and
collecting modernist art, and is often identified as the most
influential museum of modern art in the world.[1] The museum's
collection offers an unparalleled overview of modern and contemporary
art, [2] including works of architecture and design, drawings, painting,
sculpture, photography, prints, illustrated books, film, and electronic
media.
MoMA's library and archives hold over 300,000 books, artist books, and
periodicals, as well as individual files on more than 70,000 artists.
The archives contain primary source material related to the history of
modern and contemporary art. |
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| 6 |
Solomon
R. Guggenheim Museum |
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The Solomon R. Guggenheim Museum, founded in 1937, is a modern art
museum located on the Upper East Side in New York City. It is the
best-known of several museums owned and/or operated by the Solomon R.
Guggenheim Foundation, and is often called simply The Guggenheim. It is
one of the best-known museums in New York City.
Originally called "The Museum of Non-Objective Painting," the Guggenheim
was founded to showcase avant-garde art by early modernists such as
Wassily Kandinsky and Piet Mondrian. It moved to its present location,
at the corners of 89th Street and Fifth Avenue (overlooking Central
Park), in 1959, when Frank Lloyd Wright's design for the site was
completed.
The distinctive building, Wright's last major work, instantly polarized
architecture critics, though today it is widely revered. From the
street, the building looks approximately like a white ribbon curled into
a cylindrical stack, slightly wider at the top than the bottom. Its
appearance is in sharp contrast to the more typically boxy Manhattan
buildings that surround it, a fact relished by Wright who claimed that
his museum would make the nearby Metropolitan Museum of Art "look like a
Protestant barn."
Internally, the viewing gallery forms a gentle spiral from the ground
level up to the top of the building. Paintings are displayed along the
walls of the spiral and also in viewing rooms found at stages along the
way. |
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| 7 |
Metropolitan
Museum of Art |
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architect
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1880- original portion (now
mostly covered by additions) Calvert Vaux
and Jacob Wrey Mould,
1902-Richard
Morris Hunt designed the central pavilion and the neoclassical facade
1911-McKim, Mead
and White designed the north and south wings
since 1975 - Six additional wings, designed by the architectural firm of Roche
Dinkeloo
major wings by Calvert Vaux and Jacob Wrey
Mould, 1870-80; Thomas Weston with Arthur L. Tuckerman, associate,
1883-88; Arthur L. Tuckerman, 1890-94; Richard Morris Hunt, 1894-95;
Richard Howland Hunt and George B. Post, 1895-1902; McKim, Mead &
White, 1904-26; Kevin Roche John Dinkeloo Associates, 1967-90
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location
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5th Avenue at 82nd St. |
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date
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1880 |
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style
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Neoclassical |
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construction
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stone |
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type
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Museum |
The Metropolitan Museum of Art, often referred to simply as "the Met",
is one of the world's largest and most important art museums. The main
building is located on the eastern edge of Central Park in New York
City, New York, United States, along what is known as Museum Mile. It
was designated a National Historic Landmark in 1986. The Met has a much
smaller second location at "The Cloisters," featuring medieval art.
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| 8 |
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| 9 |
Whitney
Museum of American Art |
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The Whitney Museum of American Art owes its striking granite presence at
the southeast corner of Madison Avenue and 75th Street to the
Hungarian-born, Bauhaus-trained architect Marcel Breuer
(1902-1981). To design a third home for the Museum—which had gradually
migrated northward from its original location on West 8th Street to West
54th Street—Breuer worked with Hamilton Smith, creating a strong
modernist statement in a neighborhood of traditional limestone,
brownstone, and brick row houses and postwar apartment buildings.
Considered somber, heavy, and even brutal at the time of its completion in
1966 ("an inverted Babylonian ziggurat," according to one
critic), Breuer's building is now recognized as daring, strong, and
innovative. It has won landmark status, and has come to be identified with
the Whitney's own uninhibited approach to twentieth-century art.
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| 10 |
American
Folk Art Museum |
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architect
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Tod
Williams Billie Tsien & Associates |
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location
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East 53rd Street |
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date
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2001 |
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style
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Late Modern (International Style III)
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construction
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The façade of the 85-foot tall building is clad in
sixty-three textured panels of a lustrous white bronze alloy known as
Tombasil. The material—never before used architecturally—is faceted in three
large planes that evoke the human hand and catch the light at different
angles. A large skylight crowns a ceiling-to-floor open core, sending
natural light through the entire height of the building. |
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type
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Museum |
Intimate areas, reflecting the domestic scale of much of the museum's
collection, allow for a personalized art experience. Open galleries
feature spaces for the display of larger, more dramatic works. A unique
cantilevered concrete stairway connects all levels of the building.
Additional types of staircases not only provide varied paths of
circulation between floors but also give visitors different visual
experiences.
Tod Williams Billie Tsien Architects have won numerous awards for the
building—among others, an American Institute of Architects National Honor Award
(in 2003); the World Architecture Awards for Best Building in the World, Best
Public/Cultural Building in the World, and Best North American Building, as well
as the New York City American Institute of Architects Design Award (all in
2003); and the Municipal Art Society New York City Masterwork Award (in 2001). |
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