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| Top Ten
NYC Architecture |
top ten New York Synagogues |
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For a more complete list, see
Synagogues |
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| 1 |
Temple
Emanu-El |
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architect
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Clarence Stein, Robert D. Kohn, and
Charles Butler |
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location
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840
Fifth Ave. At East 65th. |
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date
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1927 |
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style
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Romanesque
Revival
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construction
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stone, structural steel frame |
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type
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Synagogue |
Founded 1845; first
Reform congregation in New York City; consolidated with Temple Beth-El in
1927; present structure completed in 1929 and dedicated in 1930; largest
Jewish house of worship in the world; Goldsmith Religious School Building
dedicated in 1963
The facade of the building features an arch with symbols representing the
twelve tribes of Israel, flanked by two very 1920s lions resting on
semi-engaged columns. At the top, the arch wraps around a magnificent
wheel-shaped window which has a traditional Magen David (six-pointed star)
embedded in the center. Three sets of beautiful bronze doors, which also
bear symbols of the twelve tribes, serve as the entrance. |
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| 2 |
Central
Synagogue
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architect
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Henry
Fernbach , restoration after 1998 fire Hardy Holzman Pfeiffer Associates |
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location
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652 Lexington Avenue, 123 East 55th Street New York, NY 10022-3566 |
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date
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1872 |
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style
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Moorish Revival |
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construction
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polychrome brick with stone trim, internal cast iron frame.
Basilical plan. |
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type
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Synagogue |
This polychoromatic
masonry building is the oldest synagogue in continuous use in New York
City. It was executed in an eclectic, rough-hewn Moorish style popular for
synagogues of the late 1800s.
Central Synagogue at the corner of
Lexington and 55th is the oldest synagogue in continual usage in New
York City. Designed by Henry Fernbach of Germany, the design is loosely
called "Moorish-Islamic Revival". The synagogue was built by
Congregation Ahawath Chesed, a German Reform congregation meeting under
that name on Ludlow street from 1846.
The Exterior:
is dominated by two octagonal towers rising 122 feet. They are meant to be
reminiscences of Solomon's Temple. The towers are topped onion-shaped,
green copper domes. There is one large rose window accompanied by many
smaller arched windows.
The Interior:
has beautifully stenciled designs of red, blue, and ochre. Cast iron
columns separate the inside into three sections. There is also colorful
plates published by the English designer and colorist, Owen Jones.
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| 3 |
Park
East Synagogue |
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architect
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Schneider & Herter |
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location
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163
East 67th Street. |
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date
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1889-90 |
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style
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Moorish Revival |
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construction
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brownstone |
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type
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Synagogue |
Park East Synagogue is located on the Upper East Side of Manhattan, in
New York. It was founded in 1890 as Congregation Zichron Ephraim. Since
1962, it has been led by its spiritual leader Rabbi Arthur Schneier. The
current Assistant Rabbi (since August 2006), Rabbi Evan Hoffman delivers
a Wednesday evening Bible class which fills the hall to capacity.
In 1976, Rabbi Schneier founded the Park East Day School, which now
educates children from early childhood through eighth grade. The
building is listed on the National Register of Historic Places.
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| 4 |
Civic Center Synagogue |
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architect
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William N. Berger |
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location
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47-9
White St. |
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date
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1967 |
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style
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Formalism |
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construction
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concrete shell |
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type
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Synagogue |
Baruchim Ha Ba'im. Also known as the Synagogue for the Arts, the Civic
Center Synagogue is a spiritual, cultural, and communal center of
traditional Judaism, located in downtown Manhattan's Tribeca
neighborhood.
The synagogue was founded some sixty years ago, as Congregation Shaare
Zedek, by businessmen working in the fabric trade, as well as civil
servants who needed a place to pray during working hours. Today, with
Tribeca, Soho, Battery Park City, and Wall Street home to a growing
number of Jewish families and individuals, Civic Center is a
full-service synagogue.
Designed by William H. Breger, the award-winning contemporary building
features a distinctive flame-shaped, sky-lit sanctuary, outdoor
sculpture plaza, a large gallery for events, and a well-equipped kosher
kitchen. Rabbi Jonathan Glass will celebrate his tenth anniversary with
the synagogue next year. The Hebrew School, for children ages four
through thirteen, is also a decade old. The CCS Art Gallery, which
sponsors exhibitions every six weeks throughout the year, is nearing its
fifth anniversary.
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| 5 |
Congregation
K’Hal Adath Jeshurun |
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architect
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Herter Brothers. |
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location
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12-16
Eldridge St. bet. Forsyth and Canal Streets. |
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date
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1886-7, restoration 1998, Giorgio
Cavaglieri. |
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style
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Gothic,
Moorish Revival and Romanesque
elements |
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construction
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brick, terracotta |
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type
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Synagogue |
When completed in 1887, the Eldridge Street Synagogue was "reviewed" in
the local press. Writers marveled at the imposing Moorish-style
building, with its 70-foot-high vaulted ceiling, magnificent stained
glass rose windows, elaborate brass fixtures and hand-stenciled walls.
Thousands participated in religious services in the building's heyday --
so many that, on High Holidays, police were stationed in the street to
control the crowds. The diverse membership of K'hal Adath Jeshurun
exemplified the immigrant spirit, the resilience, artistry and
accomplishments of first generation Americans. The artists Ben Shahn and
Max Gropper, the performers Eddie Cantor, Paul Muni and Edward G.
Robinson, and scientist Jonas Salk were among those who attended
Eldridge Street in the early decades of this century.
For fifty years, the Synagogue flourished. Then membership began to
dwindle as immigration laws changed, members moved to other parts of New
York City and America, and the Great Depression affected the
congregants' fortunes. The exquisite main sanctuary was used less and
less during the 1930s, and was abandoned some time in the mid-1950s.
In the late 1970s, when the Synagogue building was in serious jeopardy,
it came to the attention of an NYU professor who led walking tours of
the neighborhood. He rallied together a volunteer organization, the
Friends of the Eldridge Street Synagogue, to rescue the historic
Synagogue. This dedicated group recognized the building's architectural
distinction and its significance for American Jews.
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| 6 |
Bialystoker
Synagogue |
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architect
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unknown |
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location
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7-13
Bialystoker Place. |
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date
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1824 |
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style
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Federalist
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construction
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made of Manhattan schist from a quarry on nearby Pitt Street |
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type
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Synagogue |
The Bialystoker Synagogue was first organized in 1865 on Manhattan's
Lower East Side as the Chevra Anshei Chesed of Bialystok, founded by a
group of Jews who came from town of Białystok in Poland. The
congregation was begun in a building on Hester Street, then it later
moved to Orchard Street, and ultimately to its present location 7-11
Bialystoker Place on the Lower East Side.
In order to accommodate the influx of new immigrants from that area of
Poland, in 1905 the congregation merged with congregation Hadas Yeshuan,
also from Bialystok, and formed the Bait Ha'Knesset Anshi Bialystok (The
Bialystoker Synagogue). The newly formed congregation then purchased and
moved into The Willett Street Methodist Episcopal Church at 7 Willet
Street (now 7-11 Willet Street, later renamed Bialystoker Place). During
the Great Depression, a decision was made to beautify the main
sanctuary, to provide a sense of hope and inspiration to the community. |
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| 7 |
Former First
Warsaw Congregation |
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This former synagogue was built in 1903 for
Jews from the town of Iasi, Romania; the architect was Emery Roth, who
went on to build fancy apartment buildings like the San Remo and the Ritz
Tower. Later it was the Erste Warshawer (First Warsaw) Synagogue, for a
Polish congregation that organized in 1886. The interior featured two
galleries in the sanctuary and large bronze chandeliers. Since 1973
it's been artists' studios and residences. |
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| 8 |
Congregation
Shaarai Shomoyim
(Demolished) |
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architect
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unknown |
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location
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83
Rivington Street |
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date
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1857, demolished 2007 |
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style
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Romanesque
Revival
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construction
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red brick |
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type
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Synagogue |
This 2,000-seat sanctuary was originally built
around 1857 as the German Evangelical Church. Designed to convert Jews, it
was bought in 1864 by Shaaray Hashomayim, New York's oldest Orthodox
German-Jewish congregation. It reverted to a church in 1890, when a
Methodist mission society moved the Allen Street Memorial Church here.
Finally the current congregation bought it in 1902. Recognized as a center
for cantorial music, the synagogue was known as "the Cantor’s
Carnegie Hall." It's been a synagogue ever since, though no longer
primarily Romanian. Led by Rabbi Jacob Spiegel and offering daily
services, the present congregation draws its members from the local Jewish
community of residents and merchants.
In January of 2006, the roof of the synagogue caved in, severely
damaging the main sanctuary. No one was injured, since services had long
since been held in the basement. Because the synagogue had never been
registered as a historic landmark, it was thereafter demolished in March
2006. |
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| 9 |
Temple Emanu-El
(Demolished) |
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Temple Emanu-El was
designed by Leopold Eidlitz, architect of showman P.T. Barnum's
Connecticut home "Iranistan." Dedicated in 1868, this Gothic and
Moorish structure was decorated in bright tones of yellow brownstone
with alternating red and black roof tiles. Only preserved in postcards
and illustrations, the synagogue at 5th Street and 43rd Avenue was
leveled in the early twentieth century. |
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| 10 |
Temple Beth-El
(Demolished) |
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Historic Temple Beth-El at Fifth Avenue and Seventy-sixth Street is
being demolished to make room for an apartment house. The Romanesque
edifice, once regarded as one of the finest synagogues in this country,
now resembles a bombed-out building. Its floors are covered with rubble;
only the slender steel frame remains of the roof. The building, little
used since the eve of Yom Kippur (the day of Atonement) of 1929, will be
leveled in about six weeks. Its congregation merged with congregation
Emanu-El in 1927 and both worshipped in the old synagogue until the new
temple Emanu-el at Fifth Avenue and Sixty-fifth Street was dedicated on
January 10, 1930. The Rev. Dr. Samuel Schulman, last rabbi of Temple
Beth-El, recalled yesterday his last service there in 1929.
"I remember on that day that I quoted from the legend in the Talmud
that God was weeping over the ruins of His temple," he said. "So
I, too, felt, deep in my heart." |
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